Archivi tag: innovation

HYSTRIO

Hystrio is the longest running theater and performance quarterly Magazine in the Italian theatrical scene, but it has changed over time while maintaining a timeless concept.

 

 

HYSTRIO (1 of 27)What is the key to the success of the magazine?  

Claudia (director) – Hystrio dates back to 1988, making it the longest-running paper magazine on theater. Last year we celebrated 30 years and we are proud of the excellent results. We can divide the life of the magazine into two historical phases; the first starts from the foundation to the end of 1997, when its creator Ugo Ronfani was still director under the protective shield of the Ricordi publisher house for a long period of time. During that time graphics and contents were different from todays, both in format and cover. In 1998, Ricordi was sold to a multinational company that imposed cuts on certain branches of the company, including the prose sector, which included Hystrio and a series of contemporary drama plays. Ronfani, a theatrical critic of the magazine Il Giorno, tells us that she wants to cede the helm of this adventure, putting us at a crossroads  between keeping the magazine alive or ending it. We decided to continue, founding a cultural association named after the magazine. We do not receive compensation for our work because the quarterly allows us to take on other jobs to support ourselves.

The adventure was tiring but we didn’t give up. The first issue of January 1998 was the first one I signed as director at the specific request of Ronfani. I was 32 years old. We made the graphics clean, with movement compared to the previous one, full of past contents. We maintained the original structure by publishing contemporary drama texts, correspondences from abroad, reviews, and a library section but we also enriched the magazine with new insights ranging from puppet theater to a theater of diversity, and the “theatrical company” news.

After a few years we still felt the need to review the magazine’s appearance from a graphic point of view. We were inspired by Theater heute (the most prominent German theater magazine), which had very clean and essential simple layout. We then expanded our work group, growing to about 50 people from Italy and other countries, and this was one of the key aspects of our success. Even without notable economic resources, dividing the work among ourselves is sustainable for everyone and prevents fatigue. This way we can have a hundreds of reviews and multiple correspondences from abroad with those who discover and appreciate us.

Every 3 months, we agree on various topics with their support.

The key to success in general is to be inclusive, in a positive sense. We write about everyone and everything, we don’t just follow a certain type of theater, we try to have a divergent look that manages to embrace tradition but also innovation and research, dance, opera and many other possible topics, without any hesitation.

HYSTRIO (13 of 27)Who are the women of Hystrio, what are their paths and their passions?

The women of Hystrio are Claudia, the director, Alessia -graphics-, I, Ilaria -in the editorial office-, Valeria -organizer and administrative part-, Arianna -communications-.

Ilaria Angeloni, joined Hystrio in 2012 and always had a passion for theater. Observing how poetic theatricals are born, how they are created and also studying the organizational part, is a passion that was born many years ago. It became my reason to study this field and later turned into my profession after graduation. Before coming to Hystrio, I was an editor in other places. Here I manage the editorial staff, ensuring that all content respects the style and aesthetic characteristics of the magazine.

As a cultural association we deal with multiple activities including the Hystrio Award and organizing courses and seminars, as our goal is to spread theatrical culture. This world stimulates me and enriches me every day and this excites me to further my work.

HYSTRIO (25 of 27)

Valeria Brizzi – I approached Hystrio through a Facebook advertisement, and I have been working here since 2015. Through this opportunity I was selected for the Organizational Secretary position where I take care of the practical aspects of editing, cash flow, accountants, and finding resources for activities – a task that is particularly difficult in Italy at the moment.

Although this is a part time job, I choose to dedicate myself to cultural work. This is a constant challenge that has stimulated me, made me grow, and allowed me to be a part of Hystrio’s service. This position has helped me in my other jobs as well.

Arianna Lomolino – I approached Hystrio through a Facebook advertisement and I began working in 2016. I started as an intern for Milano in scena by Hystrio, which publishes reviews and theatrical news online. I later started to work on the website and managed all external communications such as social media.

I am learning so much and this work enriches me enormously. Theater is one of the most fair spaces in which we can move, I like to think that the written word and acting have an important function in society.

Alessia Stefanini – I have taken care of Hystrio’s graphic designs since 2007. I am a lover of the theater sector and I am also an actress at the School of Possible Theaters. I deal with packaging the final product. I started out as a graphic designer, and I love working here because theater is my primary interest. This is my only graphic design position that allows me to unite my profession and life passion, I couldn’t ask for more.

On the Italian scene, what is the role of Hystrio in the theater sector? Where is it located?

Claudia – I think this question should be asked to our readers. From my point of view, Hystrio is not only the longest running magazine, but also one of the most authoritative references for enthusiasts or theater-goers. Having a review on Hystrio, getting a book or an in-depth review, or receiving the Award is very much coveted. We have continuous requests on various fronts, from the publication of dramaturgical texts, to the presence at festivals, shows and conferences. From here, new stimulating jobs and study opportunities are born.

Hystrio has remained independent, we are a bit elusive thanks to this feature, but above all we keep a curious and open mentality to all without creating divisions. The theater is a small world which we try to inform critically.

HYSTRIO (17 of 27)How did this network that includes more than 50 collaborators develop?

It has grown through listening, availability and curiosity in the new proposals approach.

When we build a new issue, we first ask the question: Which shows would you like to review? What dossiers would you like to follow?

I wait for the answers from the collaborators and I try to divide the task based on the answers. When new elements that are proposed, we listen and try to decide whether to establish collaborations or not. This method has been the key to expanding our working group. The talent of each member is identified and valued, and the time, energy and predisposition that each person has is matched.

All the editors meet annually in February to choose the winner of the Hystrio Award. About forty are permanent collaborators in addition to ten experts who collaborate on the basis of the theme.

hystrio2019


What lies behind the Hystrio Award festival? How is the event planned and developed?

The Hystrio award is an important activity of Hystrio, it is a long-lived theatrical Award, which will celebrate 30 years next year.

It is an event where employees of Hystrio choose, category by category, the artists who have distinguished themselves or deserve recognition for the quality of their work within the year.

The categories are: Direction, Interpretation, Dramaturgy, Writing. We also have 3 special categories: Other Muses for fun-categorized theatrical professionals in a particular sector but who are the most eclectic artists. An Award is dedicated to a young emerging company, the Iceberg Award, aimed at enhancing young talents. Finally we have a special prize called Body to Body aimed at body language for a very broad sense of dance.

The other part of the Award focuses on young actors, writers and companies following talent scouting.

Every year a call for contenders goes out in January for dramatic actors under 30 and writers under 35.

This year 224 actors and 106 playwrights have signed up. This implies a significant amount of work as all these young people will be undergo a thorough audition that Claudia Canella and I will hold. From this stage we will select 40 participants.

The 106 anonymous plays that arrive in the newsroom are read by a commission composed of 12 collaborators. After reading through them, we will select a dozen, and the winner will be announced on the last day of the event, June 10th.

The Hystrio Award will take place on June 8/9/10 at the Elfo Puccini theater, corso Buenos Aires 33, in Milan

 

HYSTRIO (17 of 27)Valeria – The pre-selected 40 finalist actors will attend the 3-day event, and they will be discussed and heard by a jury of professionals, theater directors, and important artistic groups. Auditions will take place in the morning and afternoon of June 8th and 9th, ending with an evening show.

Instead, the winning play will be presented by a Director and cast of professionals as the first show. On the following evening we will have a show from the previous year’s winning company. Finally on June 10th the 2 young finalists will emerge with a third youngster: who will get the Hystrio Award will get access to scholarships.

To achieve all this, an organizational and communicative machine is needed which starts months before, times is fundamental so we also employ a team of 4 interns.

The event brings together not only the public, experts, and winners, but also many young people and theater lovers, so the atmosphere during the awards ceremony is open and festive.

The theater has the aim to create a link between what happens on stage and the audience, without this aspect there is no reason to call it theater or even exist.

Our ambition is to continue in this direction, open and projected towards the world.

 

Imo, Francesca&Donatella

MARCO ZANUCCOLI

SQUARe027 represents Nature, Innovation and Transformation.
It’s a process that originates from a social and human need to develop a positive and necessary CHANGE.
It’s the manifestation of the desire to be closer to Mother Earth.

Let us talk about the Italian young genius and talented designer behind this brand, Marco Zanuccoli, born in San Mauro Pascoli, the Italian center of excellence in shoe manufacturing. Marco’s parents, masters in the footwear industry, passed onto their son the strong desire to make this world a better place. Thanks to their positive influence, Marco focused his attention and curiosity first toward technology and Computer Science. However, this path was not satisfying for him, it was not enough to leave a positive impact on the world. Something inside him claimed his creative and innovative potential, which is now vented in his technology creations.
The respect and the love for the environment and nature led him to give life to a Cruelty-Free footwear line.

SQUARe027 is an innovative fashion luxury brand that designs and manufactures vegan and environmentally friendly footwear, this is the reason behind the decision to use biodegradable rubber soles and cruelty-free glues. Furthermore, the manufacturing process is almost entirely realized by hand and, of course, Made in Italy.

SQUARe027 was created with the purpose of generating a new Life Style for anyone seeking ethical and sustainable fashion accessories, so it is not limited to only vegans and vegetarians.

SQUARe027 does not utilize animal components but only materials from plants and synthetics with very low environmental impact. Also recycled materials are used, giving the products a second life.

Buy your shoes, support the brand and help Mother Land via Kickstarter: CROWDFUNDING FOR SQUARe027

L-1

For the L-1 range, SQUARe027 mainly adopts a luxury microfiber, a comfortable material and soft to the touch.

OLYMPUS DIGITAL CAMERA OLYMPUS DIGITAL CAMERA OLYMPUS DIGITAL CAMERA OLYMPUS DIGITAL CAMERA

The microfiber is made by combining recycled polyester fibers with raw ones making the production process completely nontoxic and solvent free. The product color spectrum ranges from plain colors like blue and black to fashion colors like pink and silver. The combination offering does not only include colors, but also different materials put together like microfiber and velvet.

D-1

Avant-garde is the concept that inspired in the creation of this shoe.

D-1_Avantgarde_4

The avant-garde shape of the outer sole provides both an aesthetic function and a utility aspect related to the comfort of the foot. The polyester and microfiber combination makes these shoes even more striking. Six color combinations are available, from black to green and fluorescent yellow.

M-1

The M-1 models combine natural materials with neoprene.

OLYMPUS DIGITAL CAMERA OLYMPUS DIGITAL CAMERA

Innovative materials like wood, obviously respecting the most rigorous FSC regulation, are used for these spectacular shoes that are characterized by natural colors, such as the brick red and the walnut.

R-1

OLYMPUS DIGITAL CAMERA OLYMPUS DIGITAL CAMERA

The Spring-Summer 2017 product models include natural materials like jute and wood to envelop the foot in a universe of comfort. The neoprene inserts give the shoe an original twist.

 From now on, your footprint will have a completely different impact!

info@square027.com

www.square027.com

 

Ruyi & Lyn

Ruyi & Lyn is the new modern and trendy spot in Kuala Lumpur, located on the 4th Floor of the BSC ( Bangsar Shopping Center)

Visitors were surprised when they popped into the restaurant for the first time or by chance, totally astonished from the noble furniture that adorns the lounge area, which also credits its beauty to the shiny showcase collection of regal Moet and Dom Perignon. A refined cigar room decorated as a “Parlour” from another era brings its guests in a timeless space where great minds can meet, discuss and create projects. Get lost and relax, sipping one of the best quality whisky and smoke the finest cigars the home has to offer. Business can definitely meet pleasure in the busy private rooms, where guests, managers and entrepreneurs, can rent a space for a business lunch or dinner, and also enjoy their private time with their beloved family and friends. The nice furniture comes from the collaboration with Linds Furniture.

runway

In the second area of Ruyi and Lyn, you can access only with a great entry. All the guests are invited to feel like a VIP as they walk down the majestic red “Valentino” catwalk in their most catchy and elegant outfits absorbed by the enchanting atmosphere created by the suffused lights, giant screen, and the diamond DJ console in the room.

 

RUYISUSHI

The menu? A bomb. A new concept, a fusion of Asian traditional flavors and best quality ingredients with a contemporary look, a mix able to satisfy even the most sophisticated palates. Modernity meets Tradition; both coexist like Ying and Yang, two halves that come together as a whole, two halves chasing after each other as they seek a new balance.

 

ChefJames

Each dish is a small work of art ready to be hashtagged, shared, and liked by your followers. What can’t be shared is the privilege to be twisted by the intense, orgasmic, apocalyptic taste of each single specialty designed by the multi awarded Chef James Ho.

Cool events celebrated at Ruyi and Lyn?

Guardian People’s Choice Awards, Marie Claire’s 21st Anniversary, Duchess & Co amazing Fashion Show and several private events and parties!

 More and more is coming…

Visit Malaysia, visit Kuala Lumpur, reserve your seat in this luxurious spot and have a great time!

Ruyi and Lyn

Bangsar Shopping Complex

59000 Kuala Lumpur, Malaysia

www.lyn.global ; info@lyn.global

+60 3-2083 0288